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GALLERY SAOH & TOMOS
 
3-5-10 Jingumae
Shibuya-ku TOKYO 150-0001

tel. 03-6384-5107
saoh@jpin.co.jp
 
 
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GALLERY SAOH & TOMOS
 
EXHIBITION
 
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lost connection
 
KANA UEDA
 
16th(tue)---27th(sat) Apr.2024
Closed on Sunday
 
11:00---18:00
The last day until 17:00
 
UEDA KANA 2024
#illusion #幻影 #clueless
 
Illusion series

Instagram previews a blurry image while the post is loading. A transparent circle appears in the center, and for a short period of time until the loading is complete, a blurred neutral image with no ties to a certain time or place, floats on the screen arousing the viewer’s imagination.
Having noticed this phenomenon at crowded stations or whenever I reached my data limit, I started to work on this series in the attempt to capture the illusionary images, which are posted and consumed on a daily basis, and to fixate them as prints.
For my latest works, I blurred the outlines of the elements that make up the images, and further abstracted them.
When screenprinting, these blurry images are converted into dots, and in doing so, the images become even more ambiguous.
We can actually see more when we cannot see clearly.
 
Like a Rorschach test, these works reflect the viewer, just like a mirror.
 
 
(sky) series

Cyanotypes is a photographic technique also known as sun-printing or blueprinting, as it can print images in blue with UV light.
 
During the making of my cyanotypes, I was troubled by rainy weather.  Checking the weather forecast became a daily routine.
Each time I looked at the bright blue test prints I had made in the past, a sunny sky would come across my mind.
 
Gradually, I felt as if the act of waiting and imagining a blue sky was an integral process of making cyanotypes, so I decided to use this technique to create a series of imaginary skies.
 
I used copyright-free photographs found on the Internet, unrelated to skies and cut out parts of them to create negatives.
The negatives were then set on paper coated with cyanotype chemicals and exposed.
 
When converted to blue, the images become detached from their original context and are transformed into blue skies.
Images of geysers, X-ray photos from mammography, or light shining on children’s playgrounds emerged as the idealized skies I had longed for during process.
 
Casting light can be a means to evoke the absent.
 
上田佳奈|KANA UEDA
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
UEDA KANA 2024
 
 
 
 



 

 GALLERY SAOH & TOMOS

3-5-10 Jingumae
Shibuya-ku TOKYO 150-0001

tel. 03-6384-5107
saoh@jpin.co.jp

   

 

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